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''Ophelia'' is a painting by British artist Sir John Everett Millais, completed between 1851 and 1852. It is held in the Tate Britain in London. It depicts Ophelia, a character from William Shakespeare's play ''Hamlet'', singing before she drowns in a river in Denmark. The work was not widely regarded when first exhibited at the Royal Academy, but has since come to be admired for its beauty and its accurate depiction of a natural landscape. ''Ophelia'' has been estimated to have a market value of over £30 million. ==Theme and elements== The painting depicts Ophelia singing while floating in a river just before she drowns. The scene is described in Act IV, Scene VII of Hamlet in a speech by Queen Gertrude.〔"(Millais Ophelia: Behind the painting )". Retrieved on 16 January 2008.〕 The episode depicted is not seen onstage, but exists only in Gertrude's description. Ophelia has fallen into the river from a tree overhanging it, while gathering flowers. She lies in the water singing songs, as if unaware of her danger ("incapable of her own distress"). Her clothes, trapping air, have allowed her to temporarily stay afloat ("Her clothes spread wide, / And, mermaid-like, awhile they bore her up."). But eventually, "her garments, heavy with their drink, / Pull'd the poor wretch from her melodious lay" down "to muddy death." Ophelia's death has been praised as one of the most poetically written death scenes in literature.〔For one example of praise see "The Works of Shakespeare", in 11 volumes (Hamlet in volume 10), edited by Henry N. Hudson, published by James Munroe and Company, 1856: “This exquisite passage is deservedly celebrated. Nothing could better illustrate the Poet's power to make the description of a thing better than the thing itself, by giving us his eyes to see it with.”〕 Ophelia's pose—her open arms and upwards gaze—also resembles traditional portrayals of saints or martyrs, but has also been interpreted as erotic. The painting is known for its depiction of the detailed flora of the river and the riverbank, stressing the patterns of growth and decay in a natural ecosystem. Despite its nominal Danish setting, the landscape has come to be seen as quintessentially English. "Ophelia" was painted along the banks of the Hogsmill River in Surrey, near Tolworth, Greater London. Barbara Webb, a resident of nearby Old Malden, devoted much time to finding the exact placement of the picture, and according to her research, the scene is located at Six Acre Meadow, alongside Church Road, Old Malden.〔 For a description of Webb's findings, see . ("Mystery of location of Millais' Ophelia solved", ''The Daily Telegraph'' )〕 Millais Road is now nearby. Millais' close colleague William Holman Hunt was at the time working on his ''The Hireling Shepherd'' nearby.〔.〕 The flowers shown floating on the river were chosen to correspond with Shakespeare's description of Ophelia's garland. They also reflect the Victorian interest in the "language of flowers", according to which each flower carries a symbolic meaning. The prominent red poppy—not mentioned by Shakespeare's description of the scene—represents sleep and death.〔"(Millais's Ophelia )". Tate Gallery Online. Retrieved on 16 January 2007.〕 It has often been claimed that a human skull is depicted in the foliage in the riverbank at the right, but there is no extant evidence that this was intended by Millais.〔(【引用サイトリンク】title='Ophelia', Sir John Everett Millais, Bt: Summary - - Tate )〕 However a naturally formed skull shape is indisputably used by Hunt in his companion piece ''The Hireling Shepherd'', which depicts a death's head moth. At an early stage in the painting's creation, Millais painted a water vole—which an assistant had fished out of the Hogsmill—paddling next to Ophelia. In December 1851, he showed the unfinished painting to Holman Hunt's relatives. He recorded in his diary, "Hunt's uncle and aunt came, both of whom understood most gratifyingly every object except my water rat. The male relation, when invited to guess at it, eagerly pronounced it to be a hare. Perceiving by our smiles that he had made a mistake, a rabbit was then hazarded. After which I have a faint recollection of a dog or a cat being mentioned." Millais painted the water vole out of the final picture, although a rough sketch of it still exists in an upper corner of the canvas hidden by its frame.〔 In keeping with the tenets of the Pre-Raphaelite Brotherhood, of which he was a member, Millais used bright colours, gave high attention to detail and faithful truth to nature. This rendition of Ophelia is the epitome of the PRB style; first, because of the subject matter, depicting a woman who has lived a life awaiting happiness, only to find her destiny on the verge of death: the vulnerable woman is a popular subject among Pre-Raphaelite artists. Also, Millais utilizes bright, intense colours in the landscape to make the pale Ophelia contrast with the nature behind her. All this is evident in the vivid attention to detail in the brush and trees around Ophelia, the contouring of her face, and the intricate work Millais did on her dress. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ophelia (painting)」の詳細全文を読む スポンサード リンク
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